Sound editor Al Nelson wanted to recreate the experience of a Formula One race: “It’s something you feel in your bones.” By Beatrice Verhoeven Awards Editor F1 sound editor Al Nelson and his team ...

Talking surprising race car sounds, 'dirty air' and more with the 'F1' sound design team. Sound editor Al Nelson and re-recording mixer Gary Rizzo share their long history working with director Joseph ...

For re-recording mixers Juan Peralta and Gary A. Rizzo, auto-racing fans were a key audience they hoped to please with their work on “F1.” They weren’t the only key audience, however. “We wanted to ...

GameSpot may get a commission from retail offers. With all of the features and little extras EA is cramming into F1 2000, the game seems like it could be the definitive F1 racing simulation for the ...

While it isn't the definitive F1 racing game we were hoping for, it certainly plays well, looks decent, and offers more than enough options and racing modes to keep fans of the virtual F1 racing ...

Joseph Kosinski had one instruction for the sound team behind his latest feature “F1”: It needed to be as immersive as possible, and he wanted the audience to feel like they were in the car. Except, ...

Add Yahoo as a preferred source to see more of our stories on Google. The roaring engine, the downshifting of the gears, tires on gravel, and crowds chanting were all aural elements that give Joseph ...

The Oscar-nominated sound team behind "F1" talks with IndieWire about forming a great audio "pit crew." The sound design of “F1” plays no small part in the movie’s emotional impact, and the sound team ...